Juno

Juno interacts with a minor character in an awkward moment, as the character is a classmate. She overacts during this discourse: I am a kraken from the ocean. put together: this helps to show her noisomeness in the unfamiliar situation and it is symptomatic of Juno to cover awkward and nervous situations with bravado. Receptionist is bored; disengaged. Playing with Nintendo. issue: she sees this MANY times a day and it is routine. Juno is not a routine kind of person. Actions in the clinic be minimalist (talking to receptionist; plectron in a form) to underscore the swirling emotions in her head. Runs out of clinic, show panic and purpose. Set throw: Carpark out of doors abortion clinic dingy, almost deserted. Gives the thought of a overflow environment. Inside clinic: cluttered, busy, closed- in (claustrophobic) feeling. Receptionist area behind reinforced caoutchouc glass, reminding the audience of the contr oversial aspect of abortion meaning that clinics are often terrorist targets. Properties: Sign: Babies dont like murdering. This grammatically provoke wording is backed up by the ingenuous but enthusiastic character of Soo-Chin.

Effect: we see earnestness, innocence, naiveté and futility in the character of Soo-Chin her gesticulate looks pointless and doomed but proves goodish an illustration of behavior vs rattlingity. Daylight but dull outside the clinic, suggesting a colder day. abortion clinic: everything in focus with no real filters gives a reality and crudene ss to the environment. Shot types: ! OSS (over-the-shoulder shots) between Juno and Soo-Chin. Effect: intimacy. We are part of the conversation. We are part of the subnormality of classmates merging in this situation. Soo-Chin knows Juno is pregnant but neither will take a shit the p word. In clinic, OSS shots are used again in conversation with receptionist. This gives...If you want to get a full essay, nightclub it on our website: OrderCustomPaper.com

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